Why So Much Contemporary Art Looks Like Sci-Fi Props?

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Greetings Humans - From high over your art museums we suck your masterpieces up into our rocket ships .In the early 1980's the art school I worked at was suddenly fabulous for a brief interval in time. It was the French Deconstructive theory hitting a small midwestern art school arts department like an intellectual tornado! Plus Foucault was cute and it was so so French. By now one realizes we sold the top artist position to the Europeans currently held by Sigmar Polke

It's as if the market has been flooded with Euro art. All the stars of earlier booms present again. Beuys still dead but his museal quality still makes curators leak a little in his underpants. Oh my G-d I smelled Beuys in the Reliquary in St Joseph's felt cathedral. You get me a European art dealer and we will do bidniss . Just the Artpolice originals collection being shot for this web-site blog. Another collection too of erotic watercolors some making fun of Sigmar Polke's art(shown in Berlin 2004).All this and more soon or slightly less soon. So these aliens are here mostly to steal art, load it on the cargo ends of these lithium light star salvage ship. The enterprise is fraught with risk, the future promises more surprises inside an Alien Chinese fortune cookie ( hey this the same guy selling fake Bruce Nauman sound art in Venice) the alien off world take helps with art that is increasingly more bizarre ans friendless. The aliens work through insider trades with secordary dealers and auction houses) until the whole sale confiscations began the looting of MoMA's early modern collection the richest work of the richest century - Alien curators were anxious to get to Chicago and get the Henry Darger paintings and books: Called priceless by Antique Roadshow's  Manny Bag world authority on Henry Darger and is now a prisoner of love. In the 1960's alot of negative feeling flowed to the European moderns who dominated the market until Abstract Expressionism becoming contemporary nuke nothing was a bigger hit than Pollock and deKooning et al it was the art capital moving from Paris to New York. I came in later seeing late abstract expressionism as vapid exercise in whipping up oil paint on canvas. We championed silk screen and silkscreen on canvas, a sort of feast of images from personal to pop all ever so neat and tidy.And the European thing slacked off, at least as far as stealing our best ideas! The Brits though had quite a scene with pop art and the Beatles. Pop is sort of smoke screen to blind us to conscription as the way the US raises an army to fight non-whites , this is why the aliens are so concerned Uncle Sam likes to fight others, other types, races , colors and obviously aliens who always get in in the end in our Sci-Fi B movies . But in reality they want our art not our lives!

Am I saying some of our youngest and best artists are working for an alien museum off earth taking our best contemporary art light years away. Some deep space curators create clone museum of MoMA all art to size perfect copies available where ever MoMA are spoken. The Darger's are now 1/2 a light year away in the collection of a planet owning aristocrat. Maybe art takes us into the future a bit faster sometimes than we might like like Planet Rock years ago don't stop Planet Rock .

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